Have you ever had to make a research poster, but weren’t sure where to start? Ever wondered how to put together a poster in a specific design program so it prints nicely? This video series is for you! Creating Research Posters is a Canvas course that’s open to everyone to view, and will be especially helpful if you need to make a research poster for an academic class, conference presentation, or any other reason. If you’ve never made a research poster before, this course will help you learn design principles used in making an effective poster. You’ll also learn how to set up a file for optimal poster making in the design program of your choice, and how to make sure it prints correctly on a plotter! We’ve also collected some resources for effective poster design, as well as examples of good and bad poster designs, to help inspire you as you design. Watch the whole series for your chosen design program, or just watch the part you need!
Archive for the 'Page Design' Category
Search Engine Optimization. What is it? And why is it important? These are questions that every blogger, website owner, and business should be asking. Search Engine Optimization, or SEO for short, is “the process of maximizing the number of visitors to a particular website by ensuring that the site appears high on the list of results returned by a search engine.”
Yesterday, Adobe started rolling out their updated version of Creative Cloud, Adobe CC 2015. This update brings with it many enhancements for the core Adobe applications. If you’re already using Creative Cloud, simply launch the Creative Cloud application (from the system tray on Windows or the notifications area on Mac) and you should be able to update any or all of the applications.
Some of my favorite updates include:
- Artboards in Photoshop
- Auto-save in Illustrator
- Bootstrap and Emmet integration in Dreamweaver
- Faster zooming and scrolling in InDesign
You can read more about the update by visiting the following resources on Adobe’s website:
- The 2015 Release of Adobe Creative Cloud Is Here
- Software and Services for Creative Professionals | Adobe Creative Cloud
If you’d rather watch a video, you can watch Lynda.com videos from the following playlist:
Over the next several months, IT Training staff will be busy updating our in person and online workshop materials to teach the Adobe CC 2015 applications. Check back in the fall semester to sign up for our course offerings!
I need to assemble a research poster – how do I get started, and what programs can I use to make a poster? And how do I make graphs to display my data?
With programs like InDesign, Illustrator, and Microsoft Publisher, with a little help from Microsoft Excel, you can create an eye-catching poster to showcase your research project. Illustrator and Excel can be used to create attractive graphs to display any data you wish to share, and you can pull everything together in InDesign or Publisher and lay out the contents of your poster. Before you start building your poster, there are a few steps you can take to help get things rolling.
Having a general idea of how your poster will look will help you get started – think about how things will be laid out on the page, what colors you’ll be using, and what fonts you’ll be using for your poster. A rough sketch of what you want your poster to look like when it’s finished may be helpful, and you can use that as a road map of where things should end up on your poster. Make notes about the colors you might want to use, and fonts you might want to use for headings and body text – when you start building your poster, you’ll have everything you need planned out already and can focus on laying things out. You’ll also want to make sure to collect any images you want to include, the data you want to present, and the text of your poster in one location before you start working. Once you have those items together, the following learning paths will help you create your poster.
Have you ever seen a great looking font on a website or piece of printed material that you’d love to use in your next project? You’d love to use it, but you don’t know what it is. Don’t worry. There are free tools on the Internet to help you find that font.
1. My Fonts – WhatTheFont http://www.myfonts.com/WhatTheFont/
On WhatTheFont, you can upload an image or type in the url of an online image. Make sure the image is simple. Images that are too complex cannot be interpreted by WhatTheFont.
2. Identifont – http://www.identifont.com/
Identifont asks questions to help you identify the font you’re interested in. If you have an idea of the font’s name, but don’t quite know how to spell it, you can type what you think it is and let Identifont figure out what you mean. You can find a font that is similar to one who’s name you know, or find one that contains a specific symbol or picture. If you know the name of a font designer, you can find that person’s fonts.
3. Linotype Font Finder – http://www.linotype.com/fontidentifier.html
Enter a few letters and then answer a series of questions to help you recognize the font. This is a good one for people who are interested in the characteristics that make up a font.
4. Fount – http://fount.artequalswork.com/
Fount provides a browser button so you can identify fonts on any website.
There are more of these tools out there. Just do a search using the terms “font identifier” to find one (or more) that works for you.
Did you know that with the Eyedropper tool in InDesign you can pick up text specifications —including font face, size, tracking, color, and paragraph settings – and apply them to multiple text areas? It works much like the Format Painter in Microsoft Word.
When applying the Eyedropper tool to text, you can either: a) highlight the text that has the appearance you want to copy and then apply the characteristics elsewhere, or b) select the text to which you want to apply new formatting, and then point to a piece of text that has the desired appearance. Each is done a little differently. Here’s how you do it:
You might have noticed while idly clicking around that in some applications, clicks and double-clicks have different functionality. In almost every application that involves text, clicking once will place a cursor, and clicking twice will select the work that you clicked on. This can help to quickly select some text without having to press and drag. But have you ever tried clicking more than twice? Thrice? Four times? The fabled quintuple-click?
Let’s see how InDesign handles this.
Open up an InDesign document with some text. If you don’t have a document handy, then simply create one and place a text-heavy Word document, or even a web page. (From the menu bar File->Place, and then locate a file to place. Double-click the file, and then click on the page to place).
Now, select the Type tool from the toolbox, and test out the following.
- One click places a cursor in the text
- Two clicks in quick succession(double-click) will select a single word
- Three clicks in quick succession(triple-click) will select a single sentence
- Four clicks in quick succession(quadruple-click) will select an entire paragraph
- Five clicks in quick succession(quintuple-click) will select all the text in the frame (the same effect as going to the menu and selecting Edit->Select All)
InDesign is far ahead in the multiple-click arms race. Most applications will support up to three clicks, (Word, Dreamweaver, most web browsers), and three clicks in these applications will commonly select an entire paragraph.
The Opera web browser is somewhat of an oddball as it will support four clicks, in the same way that InDesign handles four clicks.
Experiment with some of your other favorite applications, and see how much time you can save with extra clicks versus pressing and dragging.
Unlike MS Word, InDesign won’t let you “fake” a bold or italic style where the type itself doesn’t include a bold or italic font. It will allow you to slant characters, but designers consider that to be bad form. Discussion of terminology of typography may help you understand why.
When people speak of fonts, they are typically using the word inaccurately. Here’s the truth:
Way back in the day, when there were endless deep piles of snow, uphills both ways, and lunchpails filled only with scraps, people used writing instruments known as “pens” to inscribe letters and words onto dead trees, known as “paper”. Once the person was finished inscribing, s/he would fold up the paper, tuck that paper inside other paper, and inscribe more words on the front as a means of addressing (kind of like an email address, but way more complicated, taking up three lines or more!)
This whole process was known as “writing and mailing a letter”. Nowadays, of course, this antiquated technology has been surpassed by IM, texting, Twitter, and status updates on Facebook. I think we can all agree that there is nothing that needs to be said if it can’t be said in 140 characters or less! But let’s say for a minute that you wanted to “write and mail a letter, ” but didn’t want to go all the way back to 1920 to do it. Read the rest of “Fun Free App Friday: FontCapture.com” »
The Pen tool is one of the most challenging and powerful tools in graphic design. One of the major advantages of learning the Pen tool is that it is the same tool across many applications. However, it is used differently between programs. Pen projects in Illustrator would have different results from Pen projects in InDesign, for example.
In this video tutorial by Ashley Endemann, we are going to explore some of the uses of the Pen tool in InDesign. We will look at creating a clipping path for a graphic, custom frames for text, as well as modifying a font for decorative or design purposes.
If you don’t know how to use the Pen tool, don’t worry. You can take our Pen tool class: Adobe CS4: Pen Tool Basics for Advanced Graphic Design, and get up to speed.
Special Thanks to Ashley Endemann for the video.